The first of these is the trochaic tetrameter associated with oral epic, lyric and incantation, and which is displayed in the national epics generated for Finnic cultures in the nineteenth century. The focus is on oral rather than written traditions and particularly on two poetic systems which are generally considered to have roots in the vernacular culture going back more than 1000 years. This chapter offers an overview of alliteration in Finnic cultures. It provides foundations for examining variation in the associative links exhibited by names of mythic beings as a category according to the metrical positions in which a battle-kenning is realized. This article contains only the first case study of a series. The case study is simultaneously used to demonstrate the degree of integration of mythological proper names in the poetic register. This article introduces an approach to kennings as semantic formulae and includes an illustrative case study on kennings meaning ‘battle’ in the last three metrical positions of a drottkvaett line. Focus will be on variation between two broad semantic categories in expressing the formula’s consistent unit of meaning that are otherwise unambiguously distinct: proper names for mythological beings and poetic terms for weapons and armour. Old Norse kennings present a semantic formula of a particular type which is valuable as an example owing to the extremes of textural variation that it enables. Ev nova valkerie series#Metrically entangled kennings in Old Norse drottkvaett poetry provide material for a series of case studies focusing on variation in realizing formulae of this type. Such a formula may vary its surface texture in relation to phonic demands of the metrical environment in which it is realized. This article explores patterns of language use in oral poetry within a variety of semantic formula.
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